Program note (EN)

Drinking is based on a concept by Bill Brooks and “A Drinking Song” by W. B. Yeats:

“After Yeats is not a score for performance but rather a method for determining a score; it extends W. B. Yeats’s practice of poetic declamation to languages other than English. After Yeats describes a collaboration between a performer, who declaims a Yeats poem in translation, self-accompanied by a plucked string instrument, and a composer, who works at a remove to observe and amplify the implications of the declamation. Drinking is an independent instance of the meta-composition After Yeats.

Programkommentar (SE)

Drinking är baserat på ett koncept av Bill Brooks och “A Drinking Song” av W. B. Yeats:

“After Yeats is not a score for performance but rather a method for determining a score; it extends W. B. Yeats’s practice of poetic declamation to languages other than English. After Yeats describes a collaboration between a performer, who declaims a Yeats poem in translation, self-accompanied by a plucked string instrument, and a composer, who works at a remove to observe and amplify the implications of the declamation.”

Performance score, second page Performance score, third page Notes for the score.
Thanh Thuy’s performance score from one of the first versions of the piece.